The Noblest Roman- SAVE 40%!:

A History of the Centaur Types of Bruce Rogers

Roughly fifteen years after Gutenberg printed the first substantial book in Mainz in 1455, Nicolas Jenson of Venice produced what has been universally recognized among the most beautiful typefaces ever created. Based on the humanistic calligraphy of the Renaissance, an even and infinitely various set of lowercase letters that had evolved from the Carolingian minuscules of the ninth century, Jenson’s types were a miracle of proportion and evenness of color. In the late nineteenth century, it was imitated by Morris in his Golden Type of 1892 (far too heavy), and in the next by Cobden-Sanderson with his Doves Type, Goudy with his Deepdene, and Hunter Middleton with his Eusebius.

But it was really not until Bruce Rogers, following his stint at the Riverside Press in Cambridge, Massachusetts, where he first attempted a version of the type in his Montaigne font, tackled the challenge of creating a roman equal to (and in some ways surpassing) the Jenson original. The proof of his success is that it has been used, and held in high esteem, ever since.

The story behind the type, the many permutations through which it went, the myths that accrued and surrounded it (many based on Rogers’s somewhat erratic and chimerical memory) are all exposed in this fully documented account of the type’s genesis and development. All the variations are included, from the 16-pt. roman originally produced for the exclusive use of the Metropolitan Museum of Art, to its conversion to the Monotype machine under the supervision of Stanley Morison, a typewriter version, a short-lived film version, and its ultimate appearance as a digital face. Included as well is a discussion of the Arrighi italic, developed to accompany the roman by Frederic Warde and Stanley Morison at the Monotype Corporation.

The book has been designed and set in a new digital version of Centaur, often and justly called “the noblest roman of them all,” created by Jerry Kelly. The authors have unearthed, mined, and refined a trove of typographic material to create the definitive history of what many consider the most beautiful typeface created by an American in the last century and used, to immortal effect, in two of the century’s greatest books, T.E. Lawrence’s Odyssey of Homer and the Oxford Lectern Bible. Illustrated with many examples in full color, with a dust jacket printed letterpress, and issued in an edition of only 1,000 copies.

The Noblest Roman has been awarded an Honorable Mention by the Carl Hertzog Award for Excellence in Book Design.

Praise for The Noblest Roman

The Noblest Roman: A History of the Centaur Types of Bruce Rogers tells the highly detailed story…effortlessly in 120 pages. Jerry Kelly and Misha Beletsky take an unassuming approach, supported by a sophisticated design that enables the reader to judge for themselves the differing formal qualities of the type presented.” —Forum 40 Magazine

 

Jerry Kelly is a calligrapher, book designer, and type designer. Before starting his own design business in 1998, Kelly was Vice President of The Stinehour Press, preceded by a decade as designer at A. Colish. Kelly’s work has been honored numerous times, and his book designs have been selected more than thirty times for the AIGA “Fifty Books of the Year.” In 2015 he was presented with the 28th Goudy Award from RIT.

Kelly has served as Chairman of the American Printing History Association, President of The Typophiles, and an active member of several committees at The Grolier Club. He has written many articles as well as several books on calligraphy and typography, including The Noblest Roman: The Centaur Types (co-authored with Misha Beletsky; winner of the 2016 Bibliographical Society of America Prize) and, most recently, Type Revivals.

Misha Beletsky is a typographer, author, and art director based out of New York City. He is the President of The Typophiles, a not-for-profit association dedicated to the appreciation and production of fine typography and bookmaking. He is also the Art Director at Abbeville Press, a publisher of fine illustrated books. Beletsky has been the recipient of numerous awards and his work in in permanent collections at major museums and libraries, including the Metropolitan Museum of Art, Library of Congress, and the Hermitage in St. Petersburg.