Light Within the Light:

Portraits of Donald Hall, Richard Wilbur, Maxine Kumin, and Stanley Kunitz

Since the death of Robert Frost, American poetry has seen few major poets create important work in their seventh decade—and beyond. Yet Donald Hall, Richard Wilbur, Maxine Kumin, and Stanley Kunitz moved from strength to strength well past then. Each continued to publish new books and collected further accolades, including the Harvard Arts Medal (awarded to Kumin) and the Ruth Lilly Prize (awarded to Wilbur).

These are poets who bear, in individual and collective ways, the imprint of Frost’s legacy: a clear commitment to form; a belief that, “like a piece of ice on a hot stove, a poem must ride on its own melting”; a willingness, even an eagerness, to assume the role of poet-as-witness. Their poems capture a corner of New England imbued with a spirit that is both of the place and of the poet. Against the backdrop of a dark world, all four created poems that are illumined from within, holding a vision of human possibility steady in the light.

Each poet-profile in The Light Within the Light is based on intimate personal interviews and explores the landscapes, lives, and artistic achievements of the poet. Several poems are woven into each essay, allowing the reader to experience the poet’s world in his or her own words. Since the paths of the four poets cross frequently, the essays “converse” with one another, layering the narrative. Detailed informational endnotes and a list of selected readings cite primary and secondary sources of interest for each poet, making the book useful to the lay reader and literary specialist alike.

The book design is by Barry Moser, a wood engraver sensitive to poets and their works. He provides a full-page portrait of each of the four poets as well as spot illustrations.

Jeanne Braham, the author of four books on American arts and letters, writes frequently about contemporary American poets. She is the founding editor of Heatherstone Press, a publisher of poetry chapbooks, and serves as the poetry editor of New England Watershed magazine.

Barry Moser has the technical virtuosity to pull more out of a piece of wood than any other contemporary wood engraver,” claims American Book Collector. His work is in museum collections, from the National Gallery of Art to the Metropolitan Museum, and the Vatican Library. He lives with his wife in Western Massachusetts. He is also the author of In the Face of Presumptions, as well as the illustrator of A Year with Emerson and Casey at the Bat.